Theatre Scholar Christel Weiler (Research Centre Interweaving Performance Cultures of Freie Universität Berlin) on Earthport: "...the experience resonated and stayed with me as it did with others who went through this particular process. These encounters resisted being consumed and this is what made them so remarkable. They bore the potential for becoming the basis for further encounters, for interweaving cultures beyond the theater space. They left traces and inaugurated a different kind of politics: against representation and for meeting the other becoming a work of art...This is how interweaving should take place at the moment – as this would also open up a different European perspective." December 2016
Full article: http://www.textures-platform.com/?p=4571
Prof. of theatre Fadi Skeiker's article on his experience in Earthport at Theatre times: "Every single moment the spectator is encountering the performer; each moment is loaded with expectations, anguish, and potential: The potential to be part of an aesthetic experience instead of merely observing one. The potential to enter an emotional territory within the self, a territory that might be buried, forgotten, or overlooked. The potential to witness an act that will transform the experience and move it from locality to universality. The potential to flip our expectations, and to replace labeling with empathy and understanding. " September 2016 Full article: http://www.thetheatretimes.com/my-journey-in-earthport/
Theatre scholar Theresa Schütz ( Freie Universität: Research Center „Affective Societies“ /Reenacting Emotions) on Earthport"....Es sind nicht zuletzt diese zirkulierenden Diskurse, die dafür sorgen, dass Othering-Prozesse normalisiert werden, Zuschreibungen beständig wiederholt und verfestigt werden. „Earthport“ führt vor, wie diese Mechanismen wirken und spiegelt aufgeschlossenen Zuschauer*innen unaufdringlich, aber bedingungslos das eigene Verhalten, Denken und Empfinden; zeigt, dass latente Zuschreibungsprozesse stets wirken, auch wenn man sich für noch so aufgeklärt, tolerant und liberal hält."http://affective-societies.de/2017/repertoires/b03/a-lesson-in-sharing/
Interview -Debatte "Critical Whiteness"
Weiß, Macht, Schwarz von Enrico Ippolito und Jasmin Kalarickal, taz (23.05.2013)Über die Performance "blank2: ich weiß" von meet MIMOSA.
